‘REQUIEM 1 (BERLIN)’ 2018

Audio loop (0:36), Plaster of Paris, clay, wire, screws and enamel paint. Print on photo rag.

At the time, Jennison was exploring notions of ‘acousmatic sound’ in unknown territories, capturing sounds that can't be heard or comprehended by the human ear. It involved a live performance in East Lichtenberg, Berlin. There, he built an 'instrument' in a district heating facility to capture the sounds of abandoned buildings and overground pipelines. The findings were collected and edited to create a continual loops of melodic rhythms that translate the spaces architectural landscape.